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Ewan Pearson
Ewan Pearson is an English electronic music producer/remixer who works under various aliases including Maas, Sulky Pup, Villa America, World of Apples, and Dirtbox. He is also in Partial Arts with Al Usher. He has remixed for artists such as Cortney Tidwell, Seelenluft, Ladytron, Depeche Mode, The Rapture, Goldfrapp, and The Chemical Brothers. In 2001, Soma Quality Recordings released ''Small Change'', an album whose content was exclusively remix work from Pearson under his guises World of Apples and Maas. His production credits include "Pieces Of The People We Love" from The Rapture, as well as Ladytron, Chikinki, Envoy and Jeb Loy Nichols and he programmed two tracks for Gwen Stefani's solo album ''Love. Angel. Music. Baby.'' He plays on M83's album Saturdays = Youth. He recently completed work on Tracey Thorn's new solo album, ''Love And Its Opposite'' along with Delphic's debut album ''Acolyte'' due for release 11 January 2010.
==Early life==
Pearson (born 1 April 1972) grew up in Kidderminster where he attended Franche Middle School and Wolverley High School in Wolverley. His father had a keen interest in guitar and played in folk bands. This may have been an early inspiration for Ewan who played both piano and cello in his youth. Indeed his early interest in synthesisers and programming led him to collaborate with school mates Gareth James and James Hill in the amusingly named band "Sample the Dog". Most of the material was covers of Ewan's heroes New Order, Depeche Mode etc., but he also tried his hand at writing. Pearson admits in recent interviews that his writing was somewhat derivative, but it was his natural ability to accurately reproduce the sounds of his favourite synth bands that gave him a good grounding in programming and production. It was during this time that he developed his trademark production style that can still be heard in his work today. He attended Girton College, Cambridge where he studied English Literature and graduated with a first. He went on to study a masters degree in philosophy and cultural studies at Royal Holloway, University of London which focused in part on the place of dance music in popular culture and resulted in the publication of "Discographies" which he co-wrote with Jeremy Gilbert.
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